The exhibition, designed in co-production with the Pompidou Centre, offers an unprecedented dialogue between its exceptional collections and pieces by Lebanese artists of all generations. Produced in recent years or following the tragic explosions of 4th August 2020, their works are tracing out possible paths to the future, between despair and gentleness, exiles and new anchorages.
Land of myth and legend, where five thousand years of history have been written, nerve centre of relations between the Arab world and the West throughout its history, Lebanon has passed through troubled times since its creation as an independent state.
Its strategic position, the source of its prestige, is also a source of envy and destruction. In recent years the country, after recovering from a long civil war and several successive wars, has experienced an unprecedented economic and social crisis. The demonstrations which have sprung up en masse have encountered opposition from the political class.
On 4 August 2020, the blast from the explosion in the port of Beirut completely devastated the city, leaving hundreds of people dead and hundreds of thousands injured and displaced. Faced with the disaster, the Boghossian Foundation immediately came to the aid of the victims. The idea was born to present an exhibition at the Villa Empain in 2021 to give a voice to artists, widely affected by the event,
The exhibition explores the spectrum of the practices and reactions by artists faced both with these recent years of débâcle and with the event of the explosion and its consequences for the people and for the city, of which the ruined districts are so many testimonies.
Confronted with massive shortages, dissolving public services, devaluation, border conflicts, the pervasive trauma of a people out of breath and consumed by anger or despair, artists, native or having lived in Lebanon, have created works, directly or indirectly related to the situation of recent years.
Conceived in partnership with the Pompidou Centre, the exhibition includes a body of works from the Centre’s exceptional collections.
How will it end? circuit offers an unprecedented dialogue between works from the Pompidou Centre collection and pieces by Lebanese artists of all generations, especially younger ones, produced in recent years or following the tragedy, and tracing out, between despair and gentleness, exiles and new anchorages, possible paths to the future. The ensemble brings together drawings, sculptures, installations, paintings, photographs and videos.
Etel Adnan, Abed Al Kadiri, Charbel Alkhoury & Monica Basbous, Mounira Al Solh, Vladimir Antaki, Ziad Antar, Caline Aoun, Danielle Arbid, Vartan Avakian, Ayman Baalbaki, Charbel-joseph H. Boutros, Gregory Buchakjian, Ali Cherri, Omar Fakhoury, Simone Fattal, Raymond Gemayel, Daniele Genadry, Chafa Ghaddar, Joana Hadjithomas & Khalil Joreige, Gilbert Hage, Yazan Halwani, ICONEM, Jeanne et Moreau, Maria Kassab, Mireille Kassar, Bettina Khoury Badr, Pierre Koukjian, Samar Mogharbel, Marwan Moujaes, Dala Nasser, Ramy Saad, Stéphanie Saadé, Christine Safa, Christian Sleiman, Rayyane Tabet, Paola Yacoub, Maha Yammine, Raed Yassin, Cynthia Zaven, Lamia Ziadé.
Alicia Knock and Louma Salamé
Alicia Knock, Curator for the Contemporary Art and Research department of the National Museum of Modern Art of the Centre Pompidou , and Louma Salamé, Director of the Boghossian Foundation.